CCRMA Stanford University

Music 250 - Physical Interaction Design for Music

Fall 2008

What:  In recent years, technologies for synthesizing, processing and controlling sound, as well as those for embedded computing, sensing and inter-device communication have become independently mature. This course explores how we can physically interact with electronic sounds in real time. A series of exercises introduces sensors, circuits, microcontrollers, communication and sound synthesis. We discuss critically what the merging of these technologies means for music and art. Along with new technologies, what new music practices or art forms may emerge?

In the broader sense, this course deals with interaction design: What happens when human behaviours meet those of machines? How do the devices we use determine the style of interaction? How do we design for the limitations of human performance and the affordances of machines.

Office Hours: TBA
Grading: 

• 40% project
• 30% labs
• 20% homework
• 10% participation