Sound, Digital Sound and Massive Sound Media
Sophomore College, CCRMA, 2001
Chris Chafe w/ Daniel Walling, Kenny Easwaran
lectures: 10am - 12, Knoll Ballroom
images from the course
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6 Intro |
7 Huron |
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1:15 UAC |
Waves (pool) 12pm [bring prototypes] |
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5:00 BBQ |
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10 Waves (air) |
11 lv. CCRMA, 9:30am |
12 rtn. Wilbur, late |
CCARH 1pm |
14 Recording |
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1:15 OSP |
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lv. Wilbur, 1:30pm |
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3:15 URO 4:15 Haas |
Death in Venice 8pm |
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Faculty confessions Wilbur |
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Altmann 7pm |
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17 Listening |
18 Auditoriums |
19 Everything else |
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lv. Wilbur, 2:30pm AuSIM, 3-D sound demo, Scotts Vy. |
performace pieces 2pm |
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BBQ chez Chafe, PA, 6pm [bring your music] |
Assignments:
readings (by day specified)
underwater instruments (by teams, 8th, 12th)
email image of motion (10th)
web post stealth recording (by teams, 17th)
performance piece (by group, concert 18th)
(optional) web page for Fall quarter course credit
Introductory lecture
Organize ensembles to record together in studio
Organize 3 groups to design H2O instruments of different families (percussion, string, "current")
Name that tune
Course software (Dave Chisholm)
Quick primer on underwater sound: NOAA, John Maurer's URO Project
...more of John's underwater simulation project: Boombox-falling-in-pool (.mp3) and whale (.mp3)
text chapters: 1,2,3,7,8, appendix A
reader: Helmholtz, On the Sensation of Sound in General
Helmholtz, On the Composition of Vibrations
Pierce, The Nature of Musical Sound
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Musical Cognition David Huron lecture
reader: Shepard, Cognitive Psychology and Music
W. Chafe, The Nature of Consciousness
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Drowned Instruments Tour #1 chez Mark Applebaum, Menlo Park (pizza, music, pool)
Mark's newest instrument
Test students' underwater instrument concepts, bring prototypes & questions
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Waves, Auditory Display
Catalogs of sound sources, classification of musical instruments, 20 questions ("I'm thinking of a sound...")
Overview of related courses / programs
Flying by Ear, Daniel Walling's 220c project, Spring '01
text chapter: 14
reader: C. Chafe, A Short History of Digital Sound Synthesis
-- Due Monday (10th) -- email cc@ccrma an image of wave motion (anything) ...so it will end up here.
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Drowned Instruments Tour #2 Hopkins Marine Station, Monterey (overnight)
9:30 vans leave from CCRMA
box lunch
12:30 Sasha Leitman, cetacean vocalizations
2:00 general Hopkins lab tour
4:00 Michael Gurevich, shrimp sound (210 dB explosions) shrimp-snaps-up-close-movies
dinner TBA
sleep (651 & 675 Belden, at Lighthouse and David)
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Drowned Instruments Tour #3
breakfast at First Awakening (across from Hopkins, 125 Oceanview)
(early) Michael Gurevich, boat trip with instruments, recordings
lunch at First Awakening
hikes, Pt. Lobos, ?
return to Wilbur
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Psychoacoustics
Digitization of sound waves (sampling theorem, resolution)
Methods of sound synthesis (analog, digital) Theremin, Telharmonium... physical models
Properties of hearing
Auditory models
text chapters: 9,10,11,B,C,D
-- Due Monday (17th) -- web post a sound recording of secretly recorded dialog ...for use in class
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Recording, Techno
Edison cylinder collection at CCRMA
High-resolution formats, compression
Post-production tools
Style analysis of Techno, Kenny Easwaran's URO / Honors project
text chapters: ?
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Performances: John Cage, Theater Piece, Terry Riley, In C
Examples of past projects for course credit:
1999
2000
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And thanks...
Mark Applebaum, Composition, Stanford
David Huron, Psychology, OSU
Kenny Easwaran, MST
Daniel Walling, MST
Dave Chisholm, MST
Michael Gurevich, PhD student CCRMA
Craig Sapp, PhD student CCRMA
David Cope, Composition, UC Santa Cruz
AuSIM team, including Michelle Daniels, MST
Jeff Byron, MST
Jay Kadis, CCRMA faculty
Jonathan Berger, CCRMA faculty