Sound, Digital Sound and Massive Sound Media

Sophomore College, CCRMA, 2001

Chris Chafe w/ Daniel Walling, Kenny Easwaran

lectures: 10am - 12, Knoll Ballroom

soco sound software

images from the course



S

M

T

W

Th

F

Sa





6 Intro

7 Huron

8


1:15 UAC

Waves (pool) 12pm

[bring prototypes]

5:00 BBQ




10 Waves (air)

11

lv. CCRMA, 9:30am

Hopkins

12

(Hopkins cont'd)

rtn. Wilbur, late

13 Psychoacoustics

CCARH 1pm

14 Recording

15

1:15 OSP


lv. Wilbur, 1:30pm

Exploratorium, SF Symphony


3:15 URO

4:15 Haas

Death in Venice 8pm

Faculty confessions

Wilbur

Altmann 7pm


17 Listening

18 Auditoriums

19 Everything else




lv. Wilbur, 2:30pm

AuSIM, 3-D sound

demo, Scotts Vy.

performace pieces 2pm


BBQ chez Chafe, PA, 6pm

[bring your music]



Assignments:

  1. readings (by day specified)

  2. underwater instruments (by teams, 8th, 12th)

  3. email image of motion (10th)

  4. web post stealth recording (by teams, 17th)

  5. performance piece (by group, concert 18th)

  6. (optional) web page for Fall quarter course credit







Introductory lecture

Organize ensembles to record together in studio

Organize 3 groups to design H2O instruments of different families (percussion, string, "current")

Name that tune

Course software (Dave Chisholm)

...more of John's underwater simulation project: Boombox-falling-in-pool (.mp3) and whale (.mp3)





Musical Cognition David Huron lecture




Drowned Instruments Tour #1 chez Mark Applebaum, Menlo Park (pizza, music, pool)

Mark's newest instrument

Test students' underwater instrument concepts, bring prototypes & questions




Waves, Auditory Display

Catalogs of sound sources, classification of musical instruments, 20 questions ("I'm thinking of a sound...")

Overview of related courses / programs

Flying by Ear, Daniel Walling's 220c project, Spring '01

-- Due Monday (10th) -- email cc@ccrma an image of wave motion (anything) ...so it will end up here.



Drowned Instruments Tour #2 Hopkins Marine Station, Monterey (overnight)

9:30 vans leave from CCRMA

box lunch

12:30 Sasha Leitman, cetacean vocalizations

2:00 general Hopkins lab tour

4:00 Michael Gurevich, shrimp sound (210 dB explosions) shrimp-snaps-up-close-movies

dinner TBA

sleep (651 & 675 Belden, at Lighthouse and David)




Drowned Instruments Tour #3

breakfast at First Awakening (across from Hopkins, 125 Oceanview)

(early) Michael Gurevich, boat trip with instruments, recordings

lunch at First Awakening

hikes, Pt. Lobos, ?

return to Wilbur




Psychoacoustics

Digitization of sound waves (sampling theorem, resolution)

Methods of sound synthesis (analog, digital) Theremin, Telharmonium... physical models

Properties of hearing

Auditory models

text chapters: 9,10,11,B,C,D


-- Due Monday (17th) -- web post a sound recording of secretly recorded dialog ...for use in class



Recording, Techno

Edison cylinder collection at CCRMA

High-resolution formats, compression

Post-production tools

Style analysis of Techno, Kenny Easwaran's URO / Honors project

text chapters: ?




Exploratorium, SF Symphony Mahler's Sixth Symphony




Listening, Temporal Layers

Analysis of spontaneous discourse

Turenas, John Chowning

Acting, method acting




Auditoriums

Room acoustics

Audio networks

Networks as rooms



Performances: John Cage, Theater Piece, Terry Riley, In C


Examples of past projects for course credit:

1999

Megan Slinkard

Albert Kuo


2000

Daniel Walling

Tim Stonehocker


And thanks...

Mark Applebaum, Composition, Stanford

David Huron, Psychology, OSU

Kenny Easwaran, MST

Daniel Walling, MST

Dave Chisholm, MST

Michael Gurevich, PhD student CCRMA

Craig Sapp, PhD student CCRMA

David Cope, Composition, UC Santa Cruz

AuSIM team, including Michelle Daniels, MST

Jeff Byron, MST

Jay Kadis, CCRMA faculty

Jonathan Berger, CCRMA faculty